Keyword Index

A

  • Africa Meaning Gaps and The Task of Translating Poetry: Notes on Lucille Clifton’s Translation of “Afrique” By David Diop [Volume 2, Issue 1, 2022, Pages 33-48]

B

  • Bushmen The White Lady painting in Namibia and its counterpart in Algeria (4000 ± 500 BC) (A comparative study in African rock art) [Volume 2, Issue 1, 2022, Pages 18-39]

C

  • Critical Levels Analysis of Listening Comprehension Performance of Senior Secondary School Students in Abeokuta, Nigeria [Volume 2, Issue 1, 2022, Pages 17-32]

D

  • Dance "Dancing as if Language no Longer Existed": Politics of Songs and Dance in Lynn Nottage's Ruined [Volume 2, Issue 2, 2022, Pages 50-68]
  • Diop Meaning Gaps and The Task of Translating Poetry: Notes on Lucille Clifton’s Translation of “Afrique” By David Diop [Volume 2, Issue 1, 2022, Pages 33-48]
  • Discriminative Analysis of Listening Comprehension Performance of Senior Secondary School Students in Abeokuta, Nigeria [Volume 2, Issue 1, 2022, Pages 17-32]

G

  • Gender African American Female Exposure to Triple Oppression in Lynn Nottage’s “Intimate Apparel” [Volume 2, Issue 2, 2022, Pages 31-49]

H

  • Helon Habila Environmental Injustice in Helon Habila’s Oil on Water (2011) [Volume 2, Issue 2, 2022, Pages 69-91]

I

  • Identity The Role of the African Diaspora in Development in Africa: Egypt as an Example [Volume 2, Issue 1, 2022, Pages 1-17]
  • Informative Analysis of Listening Comprehension Performance of Senior Secondary School Students in Abeokuta, Nigeria [Volume 2, Issue 1, 2022, Pages 17-32]

K

  • Key Words: Environmental injustice Environmental Injustice in Helon Habila’s Oil on Water (2011) [Volume 2, Issue 2, 2022, Pages 69-91]
  • Keywords: Lynn Nottage "Dancing as if Language no Longer Existed": Politics of Songs and Dance in Lynn Nottage's Ruined [Volume 2, Issue 2, 2022, Pages 50-68]

L

  • Landsat Detection and mapping of land use land cover with Support vector machines SVM-based change monitoring using Landsat and Sentinel-2 data. The case of Quseir, Red Sea [Volume 2, Issue 2, 2022, Pages 1-30]
  • Land use land cover change Detection and mapping of land use land cover with Support vector machines SVM-based change monitoring using Landsat and Sentinel-2 data. The case of Quseir, Red Sea [Volume 2, Issue 2, 2022, Pages 1-30]
  • Lynn Nottage African American Female Exposure to Triple Oppression in Lynn Nottage’s “Intimate Apparel” [Volume 2, Issue 2, 2022, Pages 31-49]

N

  • Namibia The White Lady painting in Namibia and its counterpart in Algeria (4000 ± 500 BC) (A comparative study in African rock art) [Volume 2, Issue 1, 2022, Pages 18-39]
  • Niger-Delta - ecological degradation Environmental Injustice in Helon Habila’s Oil on Water (2011) [Volume 2, Issue 2, 2022, Pages 69-91]

O

P

  • Pan Africanism The Role of the African Diaspora in Development in Africa: Egypt as an Example [Volume 2, Issue 1, 2022, Pages 1-17]
  • PCC Detection and mapping of land use land cover with Support vector machines SVM-based change monitoring using Landsat and Sentinel-2 data. The case of Quseir, Red Sea [Volume 2, Issue 2, 2022, Pages 1-30]
  • Poetry Meaning Gaps and The Task of Translating Poetry: Notes on Lucille Clifton’s Translation of “Afrique” By David Diop [Volume 2, Issue 1, 2022, Pages 33-48]
  • Postcolonialism Power Corruption in Es’kia Mphahlele’s Chirundu (1979) [Volume 2, Issue 1, 2022, Pages 1-16]

Q

  • Quseir Red Sea Detection and mapping of land use land cover with Support vector machines SVM-based change monitoring using Landsat and Sentinel-2 data. The case of Quseir, Red Sea [Volume 2, Issue 2, 2022, Pages 1-30]

R

  • Ruined "Dancing as if Language no Longer Existed": Politics of Songs and Dance in Lynn Nottage's Ruined [Volume 2, Issue 2, 2022, Pages 50-68]

S

  • Sentinel-2 Detection and mapping of land use land cover with Support vector machines SVM-based change monitoring using Landsat and Sentinel-2 data. The case of Quseir, Red Sea [Volume 2, Issue 2, 2022, Pages 1-30]
  • Songs "Dancing as if Language no Longer Existed": Politics of Songs and Dance in Lynn Nottage's Ruined [Volume 2, Issue 2, 2022, Pages 50-68]
  • SVM Detection and mapping of land use land cover with Support vector machines SVM-based change monitoring using Landsat and Sentinel-2 data. The case of Quseir, Red Sea [Volume 2, Issue 2, 2022, Pages 1-30]

W

  • White Lady The White Lady painting in Namibia and its counterpart in Algeria (4000 ± 500 BC) (A comparative study in African rock art) [Volume 2, Issue 1, 2022, Pages 18-39]
  • Writers Power Corruption in Es’kia Mphahlele’s Chirundu (1979) [Volume 2, Issue 1, 2022, Pages 1-16]